Items where Year is 2002

This paper explores monuments to peace and peacekeeping, as distinct from monuments and memorials that commemorate the war dead. Two principal lines of enquiry are explored: the first examines whether it is possible to create secular monumental sculpture that promotes peace or espouses reconciliation. Secondly, the author asks whether monumental art is able to advocate peace without relying on the frameworks or discourses of commemoration and remembrance. Through an initial examination of the differences between ‘monuments’ and ‘memorials’ the paper explores the iconography and discourses of peace and pacifism. The paper then focuses on the Peacekeeping Monument in central Ottawa, Canada: a monument that was intended to mark forty years of international peacekeeping, but was unveiled in the same year that Canadian troops fought as part of a military coalition in the Middle East and were embroiled in a civil war in Africa. By comparing the Peacekeeping Monument with the nearby Canadian War Memorial the author explores the manipulation and creation of heroic landscapes, concluding that far from advocating peace and reconciliation, the Peacekeeping Monument captures a defined period in Canadian polity.